There is a normal version that is, according to VSCO, the most faithful representation of what that particular film would look like for the image you’re working on, a “-“ version that tones the effect down somewhat, a “+” version that ratchets the effect up, and a “++” version that pushes it even further.Įach of the three packs is sold separately, and is priced at $119, making VSCO’s collection the most expensive of the lot here. VSCO does offer a loyalty discount, so if you buy one of the packs, the others are available for a discount, bringing the price for all three packs under $300. It should be noted that the real strength of VSCO is, in my opinion, their combination of both camera profiles and presets. They currently have Canon and Nikon camera profiles for all three packs, and in something of a first, they also have Fuji presets for 01 and 03. A Fuji preset for 02 is apparently in the works. You can certainly apply the generic “Standard” presets to images shot on other cameras, and they still do a neat job, but the effect won’t be as faithful to the original film you’re looking to emulate. In my quick tests, RAW images taken with a Sony A99 still looked pretty darn good though.Īperture users, take note that the camera profiles feature in VSCO Film isn’t available to you. Aperture doesn’t support that feature, so that isn’t VSCO’s fault, and the plugin for Aperture is priced at $79 to reflect that loss in functionality. VSCO Film is available now for $119 per pack.
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